Psychological and Musical Acoustics Laboratory

Toyama Prefectural University

  1. S. Okazaki, M. Ichikawa, and M. Tsuzaki, “Perceptual simultaneity range for two dichotically presented pure tones with frequency separation below 0.5 Bark,” Journal of the Acoustical Society of America Express Letters, 3(3), 034401 (1–5), doi: 10.1121/10.0017519 (2023.3).
  2. S. Okazaki and M. Tsuzaki, “Is the V-shape function applicable for prediction of the perceptual simultaneity range of two complex tones?” Proceedings of Meetings on Acoustics, 42, 050011 (1–6), doi: 10.1121/2.0001630 (2022.10).
  3. S. Okazaki, M. Ichikawa, and M. Tsuzaki, “Contamination of fusional judgments in simultaneity judgment task,” Acoustical Science and Technology, 41(4), 686–688, doi: 10.1250/ast.41.686 (2020.7).
  4. S. Okazaki and M. Tsuzaki, “Uncertainty of perceptual tone onset and tone frequency,” Acoustical Science and Technology, 41(1), 376–377, doi: 10.1250/ast.41.376 (2020.1).
  5. S. Okazaki, M. Ichikawa, and M. Tsuzaki, “Perceptual simultaneity range as a function of frequency separation and frequency range for two tones,” Acoustical Science and Technology, 40(6), 367–373, doi: 10.1250/ast.40.367 (2019.11).
  6. S. Okazaki and M. Ichikawa, “Perceptual simultaneity range as a function of frequency separation for two pure tones,” Acoustical Science and Technology, 38(4), 185–192, doi: 10.1250/ast.38.185 (2017.7).
  7. S. Okazaki and M. Ichikawa, “Effects of frequency separation and fundamental frequency on perception of simultaneity of the tones,” Proceedings of Meetings on Acoustics, 29, 050004 (1–6), doi: 10.1121/2.0000474 (2017.6).